Written
I wonder it would be like if someone were to change bodies with me and see my hands.
They aren't the hands of someone who spends a life inside, fingers white and soft, the nails manicured. No, my hands are those what have done a day's work outside.
But if someone were to look at my hands, what would they say? Would they comment in the numerous scars from years of playing with knives and other tools, the burns from ropes, the calluses of a shovel, and the fine lines the sun and clay leave in someone's hands. I've got long fingers perfect for playing the piano, and the strength in them from long years of doing just that.
My nails aren't perfect--and i don't want them to be that way. I'd rather have paint and clay under my nails than the perfect French Manicure every day.
I look down at my hands right now, and I see many things. There is the scar on the back of my right hand from where I got hit with a garbage can, and the three white scars on my thumb from metal ribs and glass when casting one of my first glass sculptures. I've got blisters from remodeling, angry red patches that hurt when I type, but remind me of the happy work that I've been doing.
I've got calluses, too, calluses from long days using a shovel and a pitchfork, calluses and scars from the effects of baling twine and hauling hay. Mine are working hands, and I like that about them. I like the constant black smudges from ink and the perpetual hard spot on my middle finger that comes from writing with a fountain pen.
I wouldn't trade my hands with anyone.
No comments:
Post a Comment