I didn't share something with Twitter tonight. I had a lovely revelation about what my life on Twitter is, but I don't think that Twitter needs to know just yet.
And for once, I'm okay with that. I'm okay with keeping this little happy secret just for me. I like how it makes me feel inside. Maybe I'll tell the people it involves, but then again, might not.
For now, it's my lovely little metaphor.
Mine, all mine.
And I'm going to keep it that way.
Sunday, November 22, 2015
Tuesday, September 8, 2015
The Social Worker
There was a time when she enjoyed seeing them in her office. Those were the days
when she could get them a hot lunch and a shave. But those days were long gone.
Now, she might point them to one of them in the direction of a fleeting bed in a
halfway house, but that was about all she could do. It was heartbreaking in a town
like this, when so many of them came to make their fortunes and ended up on the
street.
She used to think that she could do something to change things by handing out
sandwiches and hygiene kits at the shelter at night, paying for them out of her meager
salary, but the men told her different.
“It’s nothing against you, ma’am.” They’d say respectfully, “We appreciate what
you’re doing for us, but we don’t need food. We need a place to sleep at night where
can feel safe.”
She couldn’t argue with that. Feeling safe was important while you sleep.
So she gave them somewhere safe to sleep.
␣
She bought a old car, a old house, got herself a new life in a place where no one
would moniter her comings or going. She didn’t have family to worry about her, so
living a life on the streets wasn’t something that they’d question. She spent her
nights at home, sure, but during the day, she pulled on a cap and pushed her
shopping cart, talking to the same people she’d tried to help–but this time as an
equal. She found out who was sick and who was getting better, and made a note of it
in her files–she kept the files she’d made as a social worker, kept her access by
working on Saturdays and drawing her pension. Every now and then, she’d hear
a name–someone who was ready to give up, but the man wouldn’t let do
so. EMS kept picking him up when he was passed out on the sidewalks,
thinking that night would be his last. They’d take him to the hospital and
they’d pump him full of meds and food and fluids and send him out to try
again.
Well, with her help, they didn’t have to try again.
She did her research. Found out ways that you could poison someone so that no
questions would be asked. And a street person? No one would care if you chopped
them up with a chainsaw and left the parts around the city. Only that would be
cruel.
She made friends on the street. Handed them a sandwich and a warm blanket, sat
besides them as they ate and the poison took hold of their body. Held their hand as
they drifted off into sleep, and kept passersby from calling 911 until she was sure they
were dead. Then she vanished into the darkness and let the police take care of things.
It was kinder this way.
Monday, September 7, 2015
The Surgeon
“Some days, I want to stick a needle in a vein just for fun.” He breathed, hand feather soft on her shoulder, “No drugs, no vials, nothing. Just let the blood drip out onto my skin. I like the feel of blood on my skin.”
“That why you’re a surgeon?” She asked, looking up at him, “Because of that?”
He shook his head, slowly, like there was something he wanted her to find out, “That’s not why I’m a surgeon.”
She leaned forward, naked breasts tempting him, “Then why?”
He smiled as he wrapped his hand around her neck and twisted it, “Because it’s a way to get rid of the body.” He said as she went lifeless in his arms.
␣
She was light in his arms as he carried her down the steps. He’d matured in that respect after one day having to convert his bedroom into his surgery. After Mathilda, they’d all been smaller than him. Less adipose to dispose of, anyway, when he did his dissections. He’d gone to medical school thinking that it would help with the urges, help him want to heal, not kill, but it turned out that it did just the opposite. The things they taught him, the fragility of the human body, it made him the perfect killer. He knew just how much pressure it took to break a neck, to dissect the vertebral artery every time. He picked his victims with care, too. The chiropracter they’d visited always went down for their death. Never murder, just malpractice.
He turned around to enter the surgical theater, the lights coming on as the doors opened around him. The familiar rush ran through his body as he saw the gleam of the instruments that his tech had laid out for him, not knowing exactly why she did so a few times a week. She was a good woman, if a little slow. He laid the body of the woman down on his table, turning on his stereo as he went past. Like many, he enjoyed operating to classical music.
The opening bars of a Wagner opera filled the room as he turned on the other lights. He lighted to do it in stages, to see the table there, alone, the chrome of his instruments flashing in the shadows. Then their light, followed by the one over his anesthesia setup. You never knew when you’d need anesthesia. The light over his scrub sink was last, this one the darkest, for it was the one that marked the end of things. When he was finally done with his masterpiece, he’d shut off all the lights but that one, and wash his hands one final time.
But that day was not today. He had a fresh body on the table, and that needed to be addressed. With practiced efficiency, he started to scrub. Ten strokes on each of the four sides of each finger, ten on the palm and ten on the dorsum. Ten on each of the four sides of the arm. Rinsing the arms, letting the water run down his elbows and naked chest. The water shut off automatically as he stepped away, reaching for the blue towel the tech had left hanging on a plastic covered steel arm. Just like he liked it. He slid his bare feet into the clogs that he left beneath the sink and padded towards his table. He gowned and gloved like he had every day for 10 years now–first the left arm in, then the right. Flip the right glove on and use it to pull the left up. Back up 5 steps to the contraption he’d created to tie the back of his gown, all those years ago. Spin to close it. Suppress the erection that threatened every time he tied the knot on the left side of his surgical gown. It didn’t do for a surgeon to have a hardon.
Stepping forward once more, he raised both hands in a silent prayer to the gods of surgery. This wasn’t a life to save, but it didn’t mean he wanted unsteady hands on his journey. He left her undraped, uncovered as he slid a needle into her arm, already connected to tubing under the table. He watched the blood drain, aided by gravity. Blood he would bathe in later, when this was done.
She was white and pale when he made his first cut, clean and sharp down her flat abdomen. He’d chosen her for her shape, the way he could see her intestines under her skin. Skinny enough that he could call her anorexic. But perfect to display the gut. No fat around the colon, very little obscuring the view of the mesenteric veins. This one was almost too easy. He realized that he was starting to miss Mathilda as he laid the colon out around her head like a halo. There was nothing for him to do, nothing for him to clean, just label the vessels and be done with it. His hands sped up as he tied on the tiny sutures to the vessels, practice making it something he could have done in his sleep. He’d gotten lazy with picking his victims, he realized as he slid her into the cooler and looked up at the clock on the wall. Only two operas for her. They’d spent more time in bed together than she had on his table.
The door to the cooler clanged shut as he made notes on the tiny card that slid into the holder on the door. Her body would be cooled to -40 in a bath of chemicals, slowly, to preserve the structures until he had the rest of the project complete. A series of dissections, each a microcosm of vessels and fascia and nerves, that, when viewed together, provided a perfect teaching tool–or the perfect piece of art. They’d find her body, eventually, insides replaced with those of another woman, leaving a coroner puzzled as to what had happened, how she’d ended up so far from home. But not for a long while yet. It didn’t matter to her. No one would be worried.
He slid the card, covered in tiny letters, into the sleeve, and padded over to the trashcan. His surgical gown went in there, followed by his mask and cap. He left the clogs under the sink as he rinsed his hands, the lights behind him going off as he turned on the tap.
“That why you’re a surgeon?” She asked, looking up at him, “Because of that?”
He shook his head, slowly, like there was something he wanted her to find out, “That’s not why I’m a surgeon.”
She leaned forward, naked breasts tempting him, “Then why?”
He smiled as he wrapped his hand around her neck and twisted it, “Because it’s a way to get rid of the body.” He said as she went lifeless in his arms.
␣
She was light in his arms as he carried her down the steps. He’d matured in that respect after one day having to convert his bedroom into his surgery. After Mathilda, they’d all been smaller than him. Less adipose to dispose of, anyway, when he did his dissections. He’d gone to medical school thinking that it would help with the urges, help him want to heal, not kill, but it turned out that it did just the opposite. The things they taught him, the fragility of the human body, it made him the perfect killer. He knew just how much pressure it took to break a neck, to dissect the vertebral artery every time. He picked his victims with care, too. The chiropracter they’d visited always went down for their death. Never murder, just malpractice.
He turned around to enter the surgical theater, the lights coming on as the doors opened around him. The familiar rush ran through his body as he saw the gleam of the instruments that his tech had laid out for him, not knowing exactly why she did so a few times a week. She was a good woman, if a little slow. He laid the body of the woman down on his table, turning on his stereo as he went past. Like many, he enjoyed operating to classical music.
The opening bars of a Wagner opera filled the room as he turned on the other lights. He lighted to do it in stages, to see the table there, alone, the chrome of his instruments flashing in the shadows. Then their light, followed by the one over his anesthesia setup. You never knew when you’d need anesthesia. The light over his scrub sink was last, this one the darkest, for it was the one that marked the end of things. When he was finally done with his masterpiece, he’d shut off all the lights but that one, and wash his hands one final time.
But that day was not today. He had a fresh body on the table, and that needed to be addressed. With practiced efficiency, he started to scrub. Ten strokes on each of the four sides of each finger, ten on the palm and ten on the dorsum. Ten on each of the four sides of the arm. Rinsing the arms, letting the water run down his elbows and naked chest. The water shut off automatically as he stepped away, reaching for the blue towel the tech had left hanging on a plastic covered steel arm. Just like he liked it. He slid his bare feet into the clogs that he left beneath the sink and padded towards his table. He gowned and gloved like he had every day for 10 years now–first the left arm in, then the right. Flip the right glove on and use it to pull the left up. Back up 5 steps to the contraption he’d created to tie the back of his gown, all those years ago. Spin to close it. Suppress the erection that threatened every time he tied the knot on the left side of his surgical gown. It didn’t do for a surgeon to have a hardon.
Stepping forward once more, he raised both hands in a silent prayer to the gods of surgery. This wasn’t a life to save, but it didn’t mean he wanted unsteady hands on his journey. He left her undraped, uncovered as he slid a needle into her arm, already connected to tubing under the table. He watched the blood drain, aided by gravity. Blood he would bathe in later, when this was done.
She was white and pale when he made his first cut, clean and sharp down her flat abdomen. He’d chosen her for her shape, the way he could see her intestines under her skin. Skinny enough that he could call her anorexic. But perfect to display the gut. No fat around the colon, very little obscuring the view of the mesenteric veins. This one was almost too easy. He realized that he was starting to miss Mathilda as he laid the colon out around her head like a halo. There was nothing for him to do, nothing for him to clean, just label the vessels and be done with it. His hands sped up as he tied on the tiny sutures to the vessels, practice making it something he could have done in his sleep. He’d gotten lazy with picking his victims, he realized as he slid her into the cooler and looked up at the clock on the wall. Only two operas for her. They’d spent more time in bed together than she had on his table.
The door to the cooler clanged shut as he made notes on the tiny card that slid into the holder on the door. Her body would be cooled to -40 in a bath of chemicals, slowly, to preserve the structures until he had the rest of the project complete. A series of dissections, each a microcosm of vessels and fascia and nerves, that, when viewed together, provided a perfect teaching tool–or the perfect piece of art. They’d find her body, eventually, insides replaced with those of another woman, leaving a coroner puzzled as to what had happened, how she’d ended up so far from home. But not for a long while yet. It didn’t matter to her. No one would be worried.
He slid the card, covered in tiny letters, into the sleeve, and padded over to the trashcan. His surgical gown went in there, followed by his mask and cap. He left the clogs under the sink as he rinsed his hands, the lights behind him going off as he turned on the tap.
Saturday, August 1, 2015
BEN AND THE ZOMBIES EPISODE 1
int. living room, day
BEN lifts up the window blinds, looking outside.
Ben
(muttered)
It's a bad day for frozen food.
MOTHER walks out of the kitchen, reusable shopping bags in hand.
MOTHER
What, sweetie?
Ben turns to her, eyes flashing.
BEN
Look outside, mother. It's not a good day for frozen foods.
Mother walks over to where he is holding the blinds open with one hand, looks out, shrieks, and drops her bag.
MOTHER
What is that?
Ben joins her, peering intently.
BEN
I think it's the apocalypse.
cut TO:
Outside House, day
Outside the house, the sky is red. Red like the sauce from a can of Chef Bayardee ravioli, splattered with ravioli like explosions. It's raining, but steam is coming off of where it hits the pavement. Coming over the horizon, towards the house at the end of the culdesac are shambling forms, clad in what once might have been tasteful twinsets. Beyond them, dragging at their heels, are soccer uniformed small childlike things that are no longer innocent. Burnt out minivans are everywehre, turned over like someon was trying to use them for cover.
INT. LIVING ROOM, DAY
The mother shrieks as the forms start coming over the horizon. Ben's eyes get very wide. He pulls back from the window and slowly starts moving towards the door.
MOTHER
NOOOOOOO.
She runs over to grab him. When she pulls him towards her, the fires are still burning in his very solemn eyes.
BEN
Mother. Why are you screaming.
Mother is still screaming. Then, she is joined by a second set of screaming from another part of the house. Mother lets go of Ben like he's hot. Which he might be.
BEN
That's Sam screaming too. I wonder if he is okay.
Mother stops screaming. The screaming in the other part of the house stops. She looks at Ben.
MOTHER
What did you just say?
BEN
(Deadpan)
Sam is screaming. Sam was screaming. Did you not hear Sam?
Mother lets go of Ben and backs slowly towards the living room table. When she gets there, she kneels, feeling under it. There are electronic beeps, and from under the table, she pulls out a shotgun. She stands up slowly, not turning her back on Ben, she backs up three more steps, to the china cabinent. More beeps, and a box of ammo goes into her coat pocket after she loads the shotgun. Back to the china cabinent, she studies the child that she thought was her son. The fires in his eyes have faded.
MOTHER
Ben?
BEN
Yes?
MOTHER
Are you there?
BEN
I have always been here.
Shot gun broken over her arm, she edges forward. The fires are no longer burning. She grabs the child by the arm, and pushes him in front of her.
MOTHER
Bring your brother down here.
She watches Ben go up the stairs. Once he's turned the corner, she loads the shotgun and puts the strap over her shoulder so she has both hands free to move the couch in front of the door. She grunts as she drags the couch, and two boys appear on the stairs. SAM is smaller than Ben. Their eyes burn with identical fire.
MOTHER
Hello sons.
BOYS
Hello mother.
They come down the stairs in unison. Mother watches them, one eye on the slit in the curtains, where she can see shambling figures still comign twowards the house.
MOTHER
Go to the kitchen, boys.
The boys start quietly towards the kitchen, then there is a noise outside. Sam starts to spin like the tasmanian devil, a whirlwind as he goes towards the kitchen. Mother hands Ben the shotbgun.
MOTHER
Don't let them in.
Ben nods even more seriously as he takes the shotgun and turns to the door. Mother heads to the kitchen with purposeful steps, stopping at the lintel to pick up a large automatic rifle and 3 clips. Ben's eyes go wide at the sight of such a beautiful gun.
int. kitchen, Day
Mother walks into the kitchen, expecting chaos. The room is glowing red from the sky outside, but Sam is calm, standing on one leg in the middle of the room, eating chips and hummus, the bag of chips held securely under one arm. he takes no notice of the large and beautiful automatic weapon his mother is holding, nor of the fact that she is currently struggling to push a heavy kitchen table against the door. He turns slightly on one leg as he watches her move the table. In the back of the house, there are no zombies. Yet.
Mother finishes moving the table and looks around. There are big windows, just like the rest of the house. There are no other doors that she needs to block off. She look at Sam pointedly.
MOTHER
Why were you screaming, Sam.
Sam stops chewing, crumbs falling from his mouth.
SAM
You were screaming.
MOTHER
Is that the only reason why?
Sam shakes his head, nearly dropping the chip bag.
MOTHER
Why else were you screaming?
SAM
Someone spilled ravioli all over the sky. It's all messy now.
Mother sighs with relief. His eyes no longer have the flames either.
There's a loud banging on the back door. Both of them jump, and the ceramic bowl of hummus crashes to the ground, spilling hummus everywhere. Sam starts to scream. Mother looks out the window, and about passes out. There is DADDY-O, waving at them to come outside. A vehicle is right there, ready.
MOTHER
BEN!
Ben comes running, shotgun held at the ready. She holds out her hand.
MOTHER
Let's go.
She and Ben pull the table away from the door. Gun slung over her shoulder, she picks up the screaming Sam, and they run to what they thought was the minivan, but is, in reality, an armored tour bus. Daddy-O has been getting ready. They get on the bus and start driving away.
And we fade out on episode 1.
BEN lifts up the window blinds, looking outside.
Ben
(muttered)
It's a bad day for frozen food.
MOTHER walks out of the kitchen, reusable shopping bags in hand.
MOTHER
What, sweetie?
Ben turns to her, eyes flashing.
BEN
Look outside, mother. It's not a good day for frozen foods.
Mother walks over to where he is holding the blinds open with one hand, looks out, shrieks, and drops her bag.
MOTHER
What is that?
Ben joins her, peering intently.
BEN
I think it's the apocalypse.
cut TO:
Outside House, day
Outside the house, the sky is red. Red like the sauce from a can of Chef Bayardee ravioli, splattered with ravioli like explosions. It's raining, but steam is coming off of where it hits the pavement. Coming over the horizon, towards the house at the end of the culdesac are shambling forms, clad in what once might have been tasteful twinsets. Beyond them, dragging at their heels, are soccer uniformed small childlike things that are no longer innocent. Burnt out minivans are everywehre, turned over like someon was trying to use them for cover.
INT. LIVING ROOM, DAY
The mother shrieks as the forms start coming over the horizon. Ben's eyes get very wide. He pulls back from the window and slowly starts moving towards the door.
MOTHER
NOOOOOOO.
She runs over to grab him. When she pulls him towards her, the fires are still burning in his very solemn eyes.
BEN
Mother. Why are you screaming.
Mother is still screaming. Then, she is joined by a second set of screaming from another part of the house. Mother lets go of Ben like he's hot. Which he might be.
BEN
That's Sam screaming too. I wonder if he is okay.
Mother stops screaming. The screaming in the other part of the house stops. She looks at Ben.
MOTHER
What did you just say?
BEN
(Deadpan)
Sam is screaming. Sam was screaming. Did you not hear Sam?
Mother lets go of Ben and backs slowly towards the living room table. When she gets there, she kneels, feeling under it. There are electronic beeps, and from under the table, she pulls out a shotgun. She stands up slowly, not turning her back on Ben, she backs up three more steps, to the china cabinent. More beeps, and a box of ammo goes into her coat pocket after she loads the shotgun. Back to the china cabinent, she studies the child that she thought was her son. The fires in his eyes have faded.
MOTHER
Ben?
BEN
Yes?
MOTHER
Are you there?
BEN
I have always been here.
Shot gun broken over her arm, she edges forward. The fires are no longer burning. She grabs the child by the arm, and pushes him in front of her.
MOTHER
Bring your brother down here.
She watches Ben go up the stairs. Once he's turned the corner, she loads the shotgun and puts the strap over her shoulder so she has both hands free to move the couch in front of the door. She grunts as she drags the couch, and two boys appear on the stairs. SAM is smaller than Ben. Their eyes burn with identical fire.
MOTHER
Hello sons.
BOYS
Hello mother.
They come down the stairs in unison. Mother watches them, one eye on the slit in the curtains, where she can see shambling figures still comign twowards the house.
MOTHER
Go to the kitchen, boys.
The boys start quietly towards the kitchen, then there is a noise outside. Sam starts to spin like the tasmanian devil, a whirlwind as he goes towards the kitchen. Mother hands Ben the shotbgun.
MOTHER
Don't let them in.
Ben nods even more seriously as he takes the shotgun and turns to the door. Mother heads to the kitchen with purposeful steps, stopping at the lintel to pick up a large automatic rifle and 3 clips. Ben's eyes go wide at the sight of such a beautiful gun.
int. kitchen, Day
Mother walks into the kitchen, expecting chaos. The room is glowing red from the sky outside, but Sam is calm, standing on one leg in the middle of the room, eating chips and hummus, the bag of chips held securely under one arm. he takes no notice of the large and beautiful automatic weapon his mother is holding, nor of the fact that she is currently struggling to push a heavy kitchen table against the door. He turns slightly on one leg as he watches her move the table. In the back of the house, there are no zombies. Yet.
Mother finishes moving the table and looks around. There are big windows, just like the rest of the house. There are no other doors that she needs to block off. She look at Sam pointedly.
MOTHER
Why were you screaming, Sam.
Sam stops chewing, crumbs falling from his mouth.
SAM
You were screaming.
MOTHER
Is that the only reason why?
Sam shakes his head, nearly dropping the chip bag.
MOTHER
Why else were you screaming?
SAM
Someone spilled ravioli all over the sky. It's all messy now.
Mother sighs with relief. His eyes no longer have the flames either.
There's a loud banging on the back door. Both of them jump, and the ceramic bowl of hummus crashes to the ground, spilling hummus everywhere. Sam starts to scream. Mother looks out the window, and about passes out. There is DADDY-O, waving at them to come outside. A vehicle is right there, ready.
MOTHER
BEN!
Ben comes running, shotgun held at the ready. She holds out her hand.
MOTHER
Let's go.
She and Ben pull the table away from the door. Gun slung over her shoulder, she picks up the screaming Sam, and they run to what they thought was the minivan, but is, in reality, an armored tour bus. Daddy-O has been getting ready. They get on the bus and start driving away.
And we fade out on episode 1.
Monday, March 30, 2015
Vignette 1
"Don't apologize. Don't show weakness. The minute you do that, they'll be on you like leeches, waiting to such you dry and deposit the husk on the stoop... They can smell you a mile away, see you trembling through the back of their heads... keep strong, boy, and you might just make it out alive."
"Was things always this way?"
The old man shook his head slowly, sadly. "Nah, they weren't. But that's before living memory, cept for maybe Mama Tracy."
"Who's she?"
"Ol woman, lives down the holler. Liken her to a voodoo priest, some say."
"She a witch?" The boy asks.
"Mama ain't no witch. Just an ol woman who lived her whole live in the swamp. She learn what she gotta learn to survive."
"How old she?"
A shrug was most of the response the boy got, "Ain't nobody know." following the rhythmic roll of his shoulders that continued up into his face.
"Well, you coulda ask."
The old man got stern, "Doncha yo mama teach you it isn't polite to ask a woman her age?"
The boy jumped, startled by the sudden sternness, already retreating below inscrutable eyebrows. The old main waited a beat for the boy's sake, then smiled, watching the child relax. The boy wasn't used to being scolded. His mother was much too kind for that.
A quiet creak, and footsteps as the door opened. The boy's mother stood there, watching the two of them sleep--grandfather in his chair, the boy in a nest of blankets at the old man's feet. She smiled to herself and eased the door shut. Might as well let them sleep.
Outside, the world was threatening a descent into chaos. The monsters the old man spoke of, scavengers who preyed on fear and self doubt, were out in force, feeding on the fear the sight of them created as they filled the streets.
The old man woke with a start, hand dropping protectively to the head of the sleeping child below him. Outside, he could hear voices, saying things he never thought he'd hear again, not in this lifetime, not never. He'd lost friends to make sure of that.
But somehow, they were back.
"Was things always this way?"
The old man shook his head slowly, sadly. "Nah, they weren't. But that's before living memory, cept for maybe Mama Tracy."
"Who's she?"
"Ol woman, lives down the holler. Liken her to a voodoo priest, some say."
"She a witch?" The boy asks.
"Mama ain't no witch. Just an ol woman who lived her whole live in the swamp. She learn what she gotta learn to survive."
"How old she?"
A shrug was most of the response the boy got, "Ain't nobody know." following the rhythmic roll of his shoulders that continued up into his face.
"Well, you coulda ask."
The old man got stern, "Doncha yo mama teach you it isn't polite to ask a woman her age?"
The boy jumped, startled by the sudden sternness, already retreating below inscrutable eyebrows. The old main waited a beat for the boy's sake, then smiled, watching the child relax. The boy wasn't used to being scolded. His mother was much too kind for that.
A quiet creak, and footsteps as the door opened. The boy's mother stood there, watching the two of them sleep--grandfather in his chair, the boy in a nest of blankets at the old man's feet. She smiled to herself and eased the door shut. Might as well let them sleep.
Outside, the world was threatening a descent into chaos. The monsters the old man spoke of, scavengers who preyed on fear and self doubt, were out in force, feeding on the fear the sight of them created as they filled the streets.
The old man woke with a start, hand dropping protectively to the head of the sleeping child below him. Outside, he could hear voices, saying things he never thought he'd hear again, not in this lifetime, not never. He'd lost friends to make sure of that.
But somehow, they were back.
Monday, March 16, 2015
Hello Friends
Hey all,
Long overdue update from AdC!
The update? We're still alive!!!!!!
That's about it, folks. We're still alive and kicking. On my end (this is Art, btw), not much has changed on the typewriter front, since the SM-3 came home with me. The fountain pens still continue to be a thing... A TWSBI Diamond 580, Lamy Safari, and Pilot Prera have been delivered since the first of the year. Before that, the big deal was finally getting a Vanishing Point, after wanting it for 10+ years.
Writing continues. I actually finished a novel, for once, but now, it means that I have to edit. And I'm not a fan of editing. AT ALL. I finished the edits on paper a while back, but they were substantial enough that I think it's going to be easier to just retype the whole damn thing, rather than try to figure out where the edits go, and what needs to be deleted vs what needs to be kept. So... I've been putting that off. I'm hopefully going to find motivation to type it up next month, and to do the edit on the stageplay I wrote about 10 years ago--I finally found a composer who is willing to write the music for it!
I think that's about it... Told ya, not much to update. I'm mostly typing this to get used to typing on a computer keyboard again--I've been avoiding computers and keyboards for a while, in favor of pen and paper.
Cheers, everyone.
Long overdue update from AdC!
The update? We're still alive!!!!!!
That's about it, folks. We're still alive and kicking. On my end (this is Art, btw), not much has changed on the typewriter front, since the SM-3 came home with me. The fountain pens still continue to be a thing... A TWSBI Diamond 580, Lamy Safari, and Pilot Prera have been delivered since the first of the year. Before that, the big deal was finally getting a Vanishing Point, after wanting it for 10+ years.
Writing continues. I actually finished a novel, for once, but now, it means that I have to edit. And I'm not a fan of editing. AT ALL. I finished the edits on paper a while back, but they were substantial enough that I think it's going to be easier to just retype the whole damn thing, rather than try to figure out where the edits go, and what needs to be deleted vs what needs to be kept. So... I've been putting that off. I'm hopefully going to find motivation to type it up next month, and to do the edit on the stageplay I wrote about 10 years ago--I finally found a composer who is willing to write the music for it!
I think that's about it... Told ya, not much to update. I'm mostly typing this to get used to typing on a computer keyboard again--I've been avoiding computers and keyboards for a while, in favor of pen and paper.
Cheers, everyone.
Friday, February 27, 2015
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